Thursday, March 6, 2014

Stonehenge a Ring Stone Torus




Bull’s-eye!!  We have just discovered that extensive ring structures throughout the South African Veldt were fabricated from ring stone powerfully supporting the conjecture of the deliberate production of field generating torus with the capacity to stimulate enhancement of what is known as spiritual capabilities.  This ring stone exhibits the same capacity that the stones of Stonehenge.  They are metamorphic tightly crystalline material that can even be tuned.

Suddenly the architecture of Stonehenge can be explained.   It is the lintels that carried the powerful field and likely strengthened by the pillars.  We need to reconstruct Stonehenge.   It will turn out to be very important.

Again we are facing the issue of age.  The stones in South Africa suggest a great age.  I have gone so far as to suggest that we are looking at the remnants of Eden circa 200,000 BP through 45,000 BP.  Yet Stonehenge appears fully part of the Early European Bronze Age or Atlantean world into which I can easily fit the South African rings as well.  We may be looking at extensive reconstruction of rings during the Bronze Age to assist Gold mining.

For now we have the easy solution of simply accepting a Atlantean global trade culture we know about already that created all this.  At least I now know what I am looking at.

The Eden conjecture is also intact but the vast prehistory which fits this geography very well and the cultural sources as well remain elusive.  Eden may well have been established from 9000BP through perhaps 5000 BP before the cessation of long lifetimes of the original colonists ala Noah allowed disintegration.

As at this writing I have had no difficulty in filling in the blanks after the Pleistocene Nonconformity which occurred approximately 13,000 BP.  So while the earlier Eden conjecture makes complete sense, all we have is a combination of cultural evidence which could be merely an echo of a later Eden in the Post Pleistocene Nonconformity world and Adam’s stone in particular which is dated as pre event.  We have a long ways to go but we are painting in the blanks with interesting details.



Rock the bells: Stonehenge pieces may have been chosen for acoustic properties


Stonehenge has been the source of endless speculation since the strange formation of rocks was first discovered.

But a new theory may be the most interesting of all, with some now saying the rocks at Stonehenge were chosen because of their acoustic properties.

“There had to be something special about these rocks,” ‘Archeo-acoustic’ expert Paul Devereux told the BBC. “It hasn't been considered until now that sound might have been a factor.”

Devereux led a project by the Royal College of Art in London, which attempts to understand how ancient humans perceived their world. The study results, published in the journal Time and Mindfound that a number of the bluestone rocks at Stonehenge emitted sounds similar to bells when they are struck.

If the stone’s sonic properties were a motivating factor for those who transported them approximately 200 miles to the Stonehenge site, it may help further explain why some historic artifacts have claimed the rocks had mystical properties. Earlier this month, researchers said they had pinpointed the exact location that a number of Stonehenge’s bluestones were originally transported from. However, the new research has ultimately raised even more questions as to how exactly ancient humans were able to transport them over such a great distance.

In addition, the study found that a number of the bluestones at Stonehenge show evidence of having been physically struck.

“When struck, some make a range of metallic sounds, from pure bell-like tones to tin drum noises to deeper gong-like resonances,” Devereux and his colleagues write in the study, noting that about 5 to 10 percent of the 1,000 plus rocks they tested emitted the unusual sounds .

In fact, the diverse set of sounds emitted from stones in the study suggest that rocks at Stonehenge may have been used to create a virtual symphony to the ears of the ancient world.


“There's lots of different tones, you could play a tune,” Devereux told the BBC. “In fact, we have had percussionists who have played proper percussion pieces off the rocks."

1 comment:

sharonsj said...

When I was at Stonehenge 30 years ago (before it was fenced off), I could feel the stones vibrate. One of the psychic images I got was of giant tuning forks. Nice to know I was right.